Tuesday, June 21, 2011

Mucha Lucha Libre


I’ve written mostly about my time spent watching American professional wrestling in the 1980’s and 90’s.  I haven’t written much about my love of Mexican professional wrestling, Lucha Libre.  I came to like lucha years after I stopped watching American wrestling, but in hindsight seeds of it were there back in the early 80’s.  It probably started with Spiderman.  I was obsessed with Spiderman as a young child.  I had to have everything Spiderman.  I’m really not sure why I latched on to Spiderman.  Who knows why kids latch on to anything.  I never stopped liking Spidey, and he does have a certain resemblance to our friendly neighborhood wrestlers down in Mexico.  And in fact many popular Luchadors had their own comics.  So the connection was there.  I also remembering always liking the masked wrestlers that would occasionally come onto the WWF programs, though they were usually there for different reasons.  Often it’d just be a wrestler that had been out of the “league” for a while and was making a comeback.  They would not wear the mask for too long, resuming there own personas soon after being unmasked.  But that didn’t really matter to me.  I liked it when they were in the masks.

  I honestly didn’t think too much about wrestling in the mid and late 90’s and early 2000’s.  I’d outgrown it and the American product had changed.  In the summer of 2005 my brother went to Cuernavaca, Mexico for a Spanish immersion course.  While he was there he and some other students took in the local sites and entertainment.  Included in this were the Lucha Libre shows that periodically came through town at the Arena Isabel.  They were part of the CMLL (Consejo Mundial de Lucha Libre), Mexico’s largest wrestling promotions.  His description of the matches and the audience sounded great and hilarious.  He brought me back a lucha mask.  I thought it was the coolest thing in the world.  I'd wear it to work every now and then for a laugh.  My co-worker Alex, from Chile, started calling me El Santo.  He'd used to watch the Santo movies as a kid.  


 When my brother went back to Mexico for a second time in the summer of 2006, he invited our good friend Aric and me to also come down and visit. We’d stay with his same host family for a couple weeks.  I had a great time in Mexico and one of the highlights was going to the lucha matches.  The fans were so into fights, cheering and jeering accordingly.  The arena was over 50 years old, and you could feel the history of wrestling matches in the air.  There were people outside the arena selling masks.  I of course bought another one.  Many beers later we were still celebrating on the top of our host mom’s roof with our masks.  Ahhh memories.

I was lucky enough to visit Mexico again the next summer, that time with my girlfriend (now wife), Aric and his girlfriend.  We were able to take in another lucha show at the arena.  A new wrestler, Mistico,  had become very popular down there since the previous summer and was going to be wrestling at the show.  He was unmasked at the end, but no one saw his face as he ran from the squared circle into the dressing room.  It was a big deal.  The audience was in shock.  It was amazing.  I stole a poster of the side of the arena.  It hangs on the door of our bedroom.

 

 

Wednesday, June 8, 2011

Why We Should Care About Professional Wrestling


A Sociological View

Why should we care about professional wrestling?  What relevance does it have to society?  Coming from a background in anthropology, sociology and art, I view this question through two different lenses, a behavioral science one and an artistic one.
Wrestling is considered “sports entertainment.”  Vince McMahon Jr., owner and operator of World Wrestling Entertainment (formerly WWF), coined the term back in the early 1980’s. [1]  As I understand sports entertainment, wrestling combines the skill and athleticism of the sports world with scripted theatre [2] of the entertainment world.  So when we ask why should we care about professional wrestling, we are really asking two different questions: why do we as a society care about sports and why do we as a society care about the entertainment industry? 
So why do we care about those things?  In a very broad sense, we care about entertainment (sport included) because we like to be entertained.  When we as humans have free time we want a pleasurable diversion, we want to be entertained.  Wrestling fills that need for many people.   This raises many interesting questions. Why does wrestling fill that need? What type of people find wrestling entertainment?  What are the elements of wrestling that are appealing?  Are these the same elements that make sports in general appealing?  What about the scripted element of wrestling?  Does this attract a different person that just the sport element?  In a sociological sense, wrestling is important and relevant because it raises so many questions.

An Art Perspective

As and artist I care about wrestling the way I care about any to do with pop culture.  I want to know and understand wrestling in order to pay homage to it, or subvert it.  I want to study the old styles and characters of wrestling in order to blend them in with my art.  I care about wrestling because it is on TV.  I care about wrestling because wrestlers are in movies.  I care about wrestling because wrestlers are in the music industry.  I care about wrestling because wrestlers are in US Weekly.  I care about wrestling because I love camp [3], and I love kitsch [4], and I love cartoons.  Wrestling is a gold mine of popular culture.

Bonus Argument: Wrestling as an historical lesson of friends and foes of the people of the United States. 


 
Wrestling paints it characters in very broad strokes.  As a child in the 80’s I learned, through wrestling stereotypes, which people were good and bad.  England (The British Bulldogs) was good.  The Middle East (The Iron Sheik) was bad.  Canadians were good (Bret Hart)and  bad (The Mountie).  French Canadians (The Fabulous Rougeau Brothers) were worse.  Australians (The Bushwackers) were crazy but good.  Mexico (Tito Santana) was good.  Cuba (Razor Ramon) was bad.  Native Americans (Tatanka) were good.  Asians were good (Ricky the Dragon Steamboat) and bad (Mr. Fuji).  Inner city African Americans were good (Junkyard Dog) and bad (Slick Rick).  Russians (Nikolai Volkoff) were bad, until the fall of communism, and then they were good.  Really rich people (Million Dollar Man) were bad. Cops (Big Boss Man) were corrupt.  Really smart people (Bobby the Brain Heenan, The Genius) were bad.


Though as politically incorrect as all of this was, I would argue that it is a pretty accurate reflection of the general feelings of people of the United States and its government during the 1980’s.  I would also argue that studying the heels, the bad guys, of any generation of wrestling could illuminate parts of the general consciousness of the time.


[1] "Sports Entertainment" Wikipedia <http://en.wikipedia.org/wiki/Sports_entertainment> (accessed June 7, 2011)
[2] "Professional Wrestling" Wikipedia <http://en.wikipedia.org/wiki/Professional_wrestling> (accessed June 7, 2011)
[3] "Camp (Style)" Wikipedia <http://en.wikipedia.org/wiki/Camp_%28style%29> (accessed June 7, 2011)
[4] "Kitsch" Wikipedia <http://en.wikipedia.org/wiki/Kitsch> (accessed June 7, 2011)